Friday, 28 December 2007

The world of commercialisation, in which we live...


'Something which was a bomb, a big bomb, had blasted my clever Njurunda coffee tables in the shape of a lime green yin and an orange yang that fit together to make a circle. Well they were splinters, now. 

My Haparanda sofa group with the orange slip covers, design by Erika Pekkari, it was trash, now.

And I wasn't the only slave to my nesting instinct. The people I know who used to sit in the bathroom with pornography, now they sit in the bathroom with their
IKEA furniture catalogue.

We all have the same Johanneshov armchair in the Strinne green stripe pattern. Mine fell fifteen stories, burning into a fountain.

We all have the same Rislampa/Har paper lamps made from wire and environmentally friendly unbleached paper. Mine are confetti.

All that sitting in the bathroom.

The Alle cutlery service. Stainless steel. Dishwasher safe.

The Vild hall clock made of galvanized steel, oh, I had to have that.

The Klipsk shelving unit, oh, yeah.

Hemlig hat boxes, yeah.

The street outside my high-rise was sparkling and scattered with all this.

The Mommala quilt-cover set. Design by Thomas Harila and available in the following:
Orchid.
Fuschia.
Cobalt.
Ebony.
Jet.
Eggshell or heather.

It took my whole life to buy this stuff.

The easy-care textured lacquer of my Kalix occasional tables.

My Steg nesting tables.

You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple of years your satisfied that no matter what goes wrong, at least you've got your sofa issue handed. Then the right set of dishes. Then the perfect bed. The drapes. The rug.

Then your trapped in your lovely nest, and
the things that you used to own, now they own you.'

- Fight Club : Chuck Palahnuik -

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